Veined, softly backlit stone frames a pale feature wall, while a glass wall beyond opens onto the sea and a distant skyline. At the centre, the Colosseum Mirror rises as a tall capsule in polished brass, its ribbed frame lit from within so the glass appears to glow. Everything else is arranged around its vertical axis.

Directly below, the Lapiaz Pedestal Sink takes its cue from cracks in natural stone: a square column clad in stainless steel, split by a handcrafted fissure of polished brass and topped by a cast polished brass basin. The reflective steel picks up the light of the room, while the brass echoes the mirror frame above. The Cay Wall Lamps flank the mirror, their pale, organic forms softening the capsule and the column. Gold repeats in the frame, the fissure, the basin and the tap, so the wall reads as one composition rather than a collection of objects.

At the foot of the wall, the Nui Stool adds a tactile note: a cream seat lifted on slender gold arches. Nearby, a tilted black and white form, its opening lined in gold, is topped with a folded towel, while the polished floor carries every reflection back. A reference for city penthouses, waterfront residences and boutique hotels, where the bathroom borrows its drama from the view.