Sunlight crosses the polished floor in long diagonals, and a glass wall frames the city beyond the trees. Against warm, wood-toned panelling, a tall arch of veined green marble, edged with a thin line of light, rises behind the vanity. Set within it, the Colosseum Mirror, framed in polished brass, repeats the curve one size smaller, so the wall reads as two nested arches.

Below, the Mecca Vanity Table carries two white vessel basins on a golden base of openwork, its lattice of pointed arches answering the curve of the mirror above. A gold tap stands behind each basin, so metal, glass and stone share one clear axis. To the left, the Yoho Stool adds an organic counterpoint: a cylindrical form with a veined, white and green surface that picks up the colour of the arch.

Illuminated niches on both sides hold folded towels, amber bottles and dark veined boxes, while white blossom in a dark vase softens the symmetry. Warm wood, cool green stone and a single metal keep the palette tight. A reference for city penthouses, boutique hotels and private residences that want a double vanity to feel like architecture.